There was a moment’s pause.

‘Why not?’ asked Gerald.

Loerke shrugged his shoulders.

‘I don’t find them interesting—or beautiful—they are no good to me, for my work.’

‘Do you mean to say a woman isn’t beautiful after she is twenty?’ asked Gerald.

‘For me, no. Before twenty, she is small and fresh and tender and slight. After that—let her be what she likes, she has nothing for me. The Venus of Milo is a bourgeoise—so are they all.’

‘And you don’t care for women at all after twenty?’ asked Gerald.

‘They are no good to me, they are of no use in my art,’ Loerke repeated impatiently. ‘I don’t find them beautiful.’

‘You are an epicure,’ said Gerald, with a slight sarcastic laugh.

‘And what about men?’ asked Gudrun suddenly.

‘Yes, they are good at all ages,’ replied Loerke. ‘A man should be big and powerful—whether he is old or young is of no account, so he has the size, something of massiveness and—and stupid form.’

Ursula went out alone into the world of pure, new snow. But the dazzling whiteness seemed to beat upon her till it hurt her, she felt the cold was slowly strangling her soul. Her head felt dazed and numb.

Suddenly she wanted to go away. It occurred to to her, like a miracle, that she might go away into another world. She had felt so doomed up here in the eternal snow, as if there were no beyond.

Now suddenly, as by a miracle she remembered that away beyond, below her, lay the dark fruitful earth, that towards the south there were stretches of land dark with orange trees and cypress, grey with olives, that ilex trees lifted wonderful plumy tufts in shadow against a blue sky. Miracle of miracles!—this utterly silent, frozen world of the mountain–tops was not universal! One might leave it and have done with it. One might go away.

She wanted to realise the miracle at once. She wanted at this instant to have done with the snow–world, the terrible, static ice–built mountain tops. She wanted to see the dark earth, to smell its earthy fecundity, to see the patient wintry vegetation, to feel the sunshine touch a response in the buds.

She went back gladly to the house, full of hope. Birkin was reading, lying in bed.

‘Rupert,’ she said, bursting in on him. ‘I want to go away.’

He looked up at her slowly.

‘Do you?’ he replied mildly.

She sat by him und put her arms round his neck. It surprised her that he was so little surprised.

‘Don’t YOU?’ she asked troubled.

‘I hadn’t thought about it,’ he said. ‘But I’m sure I do.’

She sat up, suddenly erect.

‘I hate it,’ she said. ‘I hate the snow, and the unnaturalness of it, the unnatural light it throws on everybody, the ghastly glamour, the unnatural feelings it makes everybody have.’

“Mean? Why, it means that the writer was going to put the female name Rachel, but was disturbed before he or she had time to finish. You mark my words, when this case comes to be cleared up, you will find that a woman named Rachel has something to do with it. It’s all very well for you to laugh, Mr. Sherlock Holmes. You may be very smart and clever, but the old hound is the best, when all is said and done.”

“I really beg your pardon!” said my companion, who had ruffled the little man’s temper by bursting into an explosion of laughter. “You certainly have the credit of being the first of us to find this out and, as you say, it bears every mark of having been written by the other participant in last night’s mystery. I have not had time to examine this room yet, but with your permission I shall do so now.”

As he spoke, he whipped a tape measure and a large round magnifying glass from his pocket. With these two implements he trotted noiselessly about the room, sometimes stopping, occasionally kneeling, and once lying flat upon his face. So engrossed was he with his occupation that he appeared to have forgotten our presence, for he chattered away to himself under his breath the whole time, keeping up a running fire of exclamations, groans, whistles, and little cries suggestive of encouragement and of hope. As I watched him I was irresistibly reminded of a pure-blooded, well-trained foxhound, as it dashes backward and forward through the covert, whining in its eagerness, until it comes across the lost scent. For twenty minutes or more he continued his researches, measuring with the most exact care the distance between marks which were entirely invisible to me, and occasionally applying his tape to the walls in an equally incomprehensible manner. In one place he gathered up very carefully a little pile of gray dust from the floor, and packed it away in an envelope. Finally he examined with his glass the word upon the wall, going over every letter of it with the most minute exactness. This done, he appeared to be satisfied, for he replaced his tape and his glass in his pocket.

“They say that genius is an infinite capacity for taking pains,” he remarked with a smile. “It’s a very bad definition, but it does apply to detective work.”

Gregson and Lestrade had watched the manoeuvres of their amateur companion with considerable curiosity and some contempt. They evidently failed to appreciate the fact, which I had begun to realize, that Sherlock Holmes’s smallest actions were all directed towards some definite and practical end.

“What do you think of it, sir?” they both asked.

“It would be robbing you of the credit of the case if I were to presume to help you,” remarked my friend. “You are doing so well now that it would be a pity for anyone to interfere.” There was a world of sarcasm in his voice as he spoke. “If you will let me know how your investigations go,” he continued, “I shall be happy to give you any help I can. In the meantime I should like to speak to the constable who found the body. Can you give me his name and address?”